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The Blue Danube No.8, 2024, exhibition view, ShanghART, Shanghai, China
4-2
自2019至今
收藏级喷墨打印、裱于铝塑板、
硬化亚克力
尺寸可变
4-2
2019-ongoing
Archival inkjet print, mounted on aluminum composite panel, toughened acrylic
Dimensions variable
艺术家在2019年开始创作《4-2》,取材于他之前的录像作品。在尝试通过电影静帧呈现一件作品时,他发现由于该作品的非叙事性,静帧看起来像并置的色块,无法传达录像的本质。在寻找将非叙事性录像以二维形式展现的过程中,艺术家发展出一种使用连续帧序列的方法——每秒30帧,以平面化的方式展现时间性媒介。通过这一过程,他的录像被转化为极简或抽象的视觉。
The artist began creating 4-2 in 2019, drawing from his previous video works. While attempting to present one video through film stills, he found that the non-narrative nature of the video caused the stills to appear as juxtaposed color blocks, failing to capture the essence of the video. In his search for a way to represent non-narrative video in two-dimensional form, the artist developed an approach of using continuous frame sequences—30 frames per second—to flatten a time-based medium. This process transformed the videos into minimalist or abstract visuals.
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Opening Doors No.1-No.12, 2024
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The Blue Danube No.1, 2024
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The Blue Danube No.4, 2024
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Red 10 seconds No.5, 2019
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Red 10 seconds No.9, 2019
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Red 10 seconds No.13, 2019
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Red 10 seconds No.14, 2019
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Red No.2, 2019
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Red No.5, 2019