4-2 (2019-ongoing)
19 1月 2022
蓝色多瑙河 No.8,2024,展览现场,香格纳画廊,中国上海
The Blue Danube No.8, 2024, exhibition view, ShanghART, Shanghai, China


4-2

自2019至今
收藏级喷墨打印、裱于铝塑板、

硬化亚克力
尺寸可变

4-2

2019-ongoing
Archival inkjet print, mounted on aluminum composite panel, toughened acrylic

Dimensions variable



艺术家在2019年开始创作《4-2》,取材于他之前的录像作品。在尝试通过电影静帧呈现一件作品时,他发现由于该作品的非叙事性,静帧看起来像并置的色块,无法传达录像的本质。在寻找将非叙事性录像以二维形式展现的过程中,艺术家发展出一种使用连续帧序列的方法——每秒30帧,以平面化的方式展现时间性媒介。通过这一过程,他的录像被转化为极简或抽象的视觉。

The artist began creating 4-2 in 2019, drawing from his previous video works. While attempting to present one video through film stills, he found that the non-narrative nature of the video caused the stills to appear as juxtaposed color blocks, failing to capture the essence of the video. In his search for a way to represent non-narrative video in two-dimensional form, the artist developed an approach of using continuous frame sequences—30 frames per second—to flatten a time-based medium. This process transformed the videos into minimalist or abstract visuals.

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蓝色多瑙河 No.4,2024
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红-10秒 No.13,2019
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