^_幻影

^{2019
睡袋、蓝色胶带、防攀爬临时围
栏、热塑性高可见性黑黄围栏底
座、围栏连接器、中空纤维、木
材、 钢材
200 × 400 × 400 厘米}

^_Phantom

^{2022
Sleeping bag, blue tape, anti-climb temporary fence panel, thermoplastic hi-vis black and yellow fence feet, fence coupler, hollow fiber, wood, steel
200 × 400 × 400 cm}

<sup><sub>这件作品结合了幽灵、木乃伊、睡袋、防护服和围栏，创造了一个数字般模型的空间，没有时间和地点的瞬间。

作为对疫情幽灵般特征的跋，它概括了病毒的爆发和发展，以及由此引发的困扰和限制。作品客观而冷静地指向现实、暗示着死亡、与文明相关，并与规训联系在一起。

除展览空间内的九个形象外，还有一个被放置在建筑上层的连廊上。像幽灵般俯瞰下方的每个人，却鲜有人注意到它的存在。</sub></sup>

<sub><sup>This work combined ghosts, mummies, sleeping bags, hazmat suits, and fences, creating a space that resembled a digital model devoid of a sense of time and place.

As an epilogue to the phantom characteristics of the pandemic, it encapsulated the outbreak and development of the virus, along with the troubles and restrictions it caused. It objectively and coldly pointed to reality, implying death, relating to civilization, and associating with discipline.

In addition to the nine figures in the exhibition space, another figure was placed on the link bridge on the upper floor of the building. Like a phantom in concept, it overlooked everyone below from above, though few noticed its presence.</sup></sub>